
British born writer, editor and self confessed fan boy geek, Steven Savile has written books in a number of popular universe's and a number of formats. He lives in Stockholm now and works pretty much constantly as far as I can tell.
We reviewed one of Steve's Black Library titles, Curse of the Necrarch
here and rather liked it.
I was delighted when Steve consented to an interview and here it is.
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You have quite a body of work behind you including graphic novels and Dr Who books, do you have a particular favourite to work on, such as short stories or the Black Library novels?That's a much tougher question than you'd expect, I mean looking at
the roster of work I've done only in the last 2 years it means
choosing between Primeval, Torchwood, Doctor Who, Stargate SG-1,
Warhammer, and a couple of my own creations, the thriller I just
finished writing, Silver, and this weird sort of steampunk fantastic
victoriana with a splash of horror that revolves around this group of
rather curious gentlemen in 1880s London, The Greyfrair's Gentleman's
Club. I had an absolute blast writing the very first Black Library
novel, Inheritance, for instance. The editor said 'okay we want these
boys to be like Hammer House of Horror vampires' and my grin just
spread slowly as my offered the writer's mantra: 'I can do that.' I
literally wrote a list of every aspect of vampire mythology I could
come up with, from every cliche to every interesting twist or take
from other cultures and decided somehow I'd make sure over the course
of the trilogy that I'd use all of them. Terrible I know... or with
Doctor Who there was that moment telling my mother on the phone 'So
guess what I am writing now?' and her response of 'Well honey I guess
that means you're a real writer now' when I said the Doctor.
In truth I would say I am one lucky guy because I'm a happy nerd, I
used to roleplay when I was younger, I love genre tv, and I think it
is so cool I get to play around in these playgrounds, you know? But if
you ask me today my favourite thing, I'd say the Greyfriar's Gentleman
because I am about 100 pages into my first fully fledged Greyfriar's
novel, London Macabre. If you asked me last week it would have been
Stargate because I was polishing off the edits on Shadows, my first
SG-1 novel, and a month ago it would have been Silver because that
book had been drowning my life for 12 months. Pretty much anything I

am working on actively I'll say is my favourite thing to be working
on, and I'll mean it. I am an immersive writer. I sink completely into
a project body and soul, then when it's done, I dive into the next one
with equal abandon. I guess I am the literary equivalent of a serial
monogamist. As long as I am working I am happy. Sad but true.
You've written a number of books for the Black Library and quite a few novels linked to popular sci fi series (Dr Who, Star Wars). What are the particular challenges of writing books set in a well established gaming world / tv universe?
I think the first thing is that you have to be authentic. You have to
love the show and the characters you're working on, not just know the
mechanics of how it works, you know? If you're anything less than in
love with it, it'll show and the fans will know. The hard part is that
say with Warhammer because it's a roleplaying game and a table top
battle game and a computer game and a slew of books, there are so many
different ways to experience the adventure that every real fan in some
way owns the world inside their head, and that world is going to be
unique every time because that's what is so great about roleplaying in
the first place, so as long as you know that going in and can accept
the fact that at least 20% of the readers are going to be screaming
and shouting and telling you you're an idiot, you're good.
I took on Slaine a few years ago because I loved the old Pat Mills
comic strips from 2000AD when I was growing up, but long before the
first word was on the screen let alone book on the shelf, I was the
subject of some slightly more than spirited conversations on the
internet. I seem to remember words like moral parasite, hack, etc. Now
worse, for me, I knew the publishers had asked for a 'reinvention' of
the story which meant of course the day it came out the first reaction
was 'man he doesn't even get THIS right! idiot! Couldn't even be
bothered to read the comics...' which was, of course, nonsence. I'd
read them inside and out probably a dozen or more times, every single
issue. I was doing what I was paid to do. Curiously, as I mentioned to
a friend the other day, I get more fan mail now for the Slaine novels
than any other thing I have done, and the most frequent question I get
asked is 'When's volume three coming out?' It's ironic, but gratifying
at the same time because it means I didn't let the franchise down.
Readers are identifying with the books and enjoying them enough to sit
down and write. That,

believe me, is a big thing. You write into a
void. That kind of feedback after the moral parasite stuff and wanting
to stick a knife in your face and all that fun stuff, well that makes
the writing worth it.
I won't do a job if I don't love the show, or the game, or the comic
strip - because it may only be a few hours or a day for you to read,
but look at Slaine, it was meant to be 1200 pages of adventure, three
novels, 300,000 words. That's an entire year of my life, not counting
research, planing etc. You can't make that kind of commitment without
really loving something. At least I can't.
While we are on the subject of Warhammer are you a gamer and if so original or 40,000?
I was. I used to work in the GW store in Newcastle when I was at
University there. That was back before the GW store only sold GW
stuff. We had all the old Avalon Hill games, and Rolemaster,
Traveller, Runequest, red box D&D, AD&D, Cyberpunk, Talislanta, you
name it, we had it, and the guys there, Lawrence, Ian, David and Chris
were the most fascinating guys, so inventive, so in love with the
hobby. These were old school gamers. I was working there when GW
released Titanicus, Dark Future, Space Marine, we played Rogue Trader,
all sorts of stuff, but to answer your question I never ever played
40k, had no interest in the miniature game. I did however play the
entire Enemy Within Campaign with friends, sat up all night playing

Call of Cthulu, and was Secretary of the Uni Roleplaying society for 3
years. Every Sunday round at my house we had a ritual, the guys
descended at 10 and we played through til 6 or 7 when we ate, then
went out to Trillians in Newcastle and drank far too much. I think I
was probably the quintessential gamer. Hell, the ice cream man once
told us we were lowering the tone of the neighbourhood. I think that
was a high point in my life.
You are a writer and an editor, so obviously a bit busy. How do you balance the two roles and y'know, having a life?
Well the ex's would say I don't... or didn't. I am much better now, I
think. Erm. Kind of. I have my own office. I work from around lunch
til 3 in the office then go to a local cafe where I sit and work and
sip copious amounts of coffee. Yep, I'm that guy. I usually leave the
cafe around 6 and walk home for a bit of exercise, then at night, say
around 11 I'll settle down and do the other side of being a writer -
interviews, answering emails, redesigning the website, that sort of
stuff. So from 6 til 11 I get to be a normal guy, which is about as
good as most normal guys get, I suspect. It was harder when I was a
full time teacher, part time novelist, part time husband... something
had to give. I'm lucky I get to pay the mortgage with my words and I
get to tell all sorts of stories. Some days I forget, but most days I
remember.
Ok, I have to ask, you were born in Newcastle (my university city, i loved it) an dnow live in Stockholm, can you give us one really good reason to visit each of them?
Well I didn't head back to Newcastle until college, I actually grew up
in London, and I haven't been back to Newcastle for more than 36 hrs
since 1997, but from what I remember it was a hell of a place to go to
University, but post university it really started to drag me down
mentally. It was a hard

place to live in that sort of post-Thatcherite
Britain. I remember signing up with temp agencies, pretty much doing
anything that came along, a day here, two days there, picking up the
dole cheques when there was no work. Considering I came out of uni
with a good degree in Politics and later added an Mphil to it it was
bloody depressing not being able to even get a job in a store. I
remember when Virgin opened there I didn't even manage to get an
interview. Still, it's like those rings on a tree, you know? When
there are good years the tree grows a lot and you can see it in the
rings, and likewise you can see the hard years, but it isn't until you
look at them all together you see the tree. I wouldn't be the guy I am
now without those years, and truth be told I did kind of enjoy them.
It was a fun place to party.
Stockholm was a different animal all together. I came over on vacation
in '97, February, in the height of the worst winter in years, snow
storms, blizzards the lot, and I fell in love with the place. They
call it the Venice of the North, because it's on lots of little
islands, which of course means there is lots of water. The
architecture shifts between this really ugly 1950s functionalism and
this almost serene 1700s gothic. I love it. I am absolutely at home
here. Hell, even the air is clean and we're in a capital city!
So, what have you got coming up next?
In terms of tie-ins the next thing I am sitting down to write is a
novel for Simon & Schuster and Arena.Net based in the Guild Wars MMO
world, which I should be finished with around Novemeber. In terms of
new books out on the shelves, it's been a quiet year so far but the
Stargate novel, Shadows, should be sneaking out in a few months, and
then in January it's the big one, Silver... the biggest, most
ambitious and by far the best thing I have ever written. I think. I'm
sure people will tell me if they agree, or if I am way off base. It's
a radical departure though, from fantasy and sf into mainstream
thriller. It was a hell of a lot of fun to write. And it's selling
into a lot of countries right now, most recently Poland and Spain, so
I am hoping that means I did something right.
So, Necrach, what I really want to know is What happened in the cut scenes? You said it was some of the character development that got cut and I am curious as to which characters you developed further and what you did with them.
Hah! I'm probably contractually obliged not to say anything but it was
a long time ago now, so I don't see it as a problem. Basically, I
really wanted the old man to be an atypical hero, sixty years old,
heart condition, loved by the people he protected and because of that
love, obliged... but there's a balance in Warhammer, so for instance I
wanted a closer relationship with his housekeeper and a more friendly
dynamic, some of it was stupid stuff like the funeral pyres and going
around to greive with each of the villagers and being told, he's
Knight Protector, he wouldn't do that... it was that clash of
stereotypes that made it tough with Necrarch... the whole thing is
meant to be about the futility of war, ironic in a game all about
war... some guys complained about Mammut's fate, but I thought that
was hilarious ahem... all of this scheming and plotting and it's
undone when the dracolich takes to the air. Others were annoyed about
the Hand of Nagash - and actually this was one of the parts that
pained me the most, because instead of being some lumbering zombie
that guy was meant to be a serious threat, a brilliant swordsman who
can't die again because his heart is in the clutches of the hand of
Nagash, pumping for ever. So in the first drafts Metzger and Bohme
were facing one of their best friends suddenly, dead but alive,
knowing how they would think and fight and using that to break them,
but a sharp intake of breathe and an oooh zombies can't do that killed
huge chunks of that stuff. Shame really because I really rather liked
those parts. I found it ironic they wanted the necrach to create his
own 'uruk hai' and then have this guy as some sort of lord of the
undead, then when it was written changed their minds. It happens
though, and of course, they know their world and what works best, but
sometimes it's tough as the creator to watch it go in directions you
know just aren't as powerful...
Will we ever see a book about Bohme, either before or after Necrarch, he's an interesting chap?
Nope, well, erm... I doubt it. I won't be doing it at least. Necrarch
was my last book for Black Library. I know we're never supposed to say
never, but I've said all I've got to say about vampires in their
world, and I am not a fan of repeating myself or treading the same old
ground, you know?
There were plans for a second at one point - indeed there was an
epilogue that basically had Radu's sire screaming with rage as he
suffered the loss of his underling - there's a link between sire and
sired, he's debilitated with the death - and coming after Bohme and
the surviving thrall, but I cut that part because I wanted the book to
end where the book ended, that took away all of the old man's courage,
and this was always one old man's war. He won. That was how it had to
be for me.
What happened to the town after all it's warriors went marching off to fight a hopeless war? who took charge and did they do a good job? What happened to the woman Metzger took in at the beginning and the rest of his household?
Hah, well I had plans. It's hard to remember them almost 3 years on,
but I seem to remember thinking that when Bohme came back he'd take
responsibility for her. I don't know how many readers picked up on it,
but Kasper was pretty much always gay in my mind. He was Metzger's
companion. I kept it ambiguous because I didn't want any outright
mention of sexuality being cut, and because I wanted individual
readers to make up their own minds.
Thanks for joining us Steve, it's been a huge pleasure to have you here. " Please, hope I wasn't too boring.
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You can find out more about Steve's work on his website
here, he also somehow finds time to Twitter. Of course you can find his books in stores and online and he's a great writer.