
If you are a fantasy fan and you haven't been living under a rock for the last 6 months or so, then you have probably heard of the David Gemmell Legend Award.
Well here at Un:Bound we are very pleased to introduce author, gracious hostess of Wonderlands and the DGLA forum and member of the DGLA steering group....
Debbie Miller also known as Miller Lau.
Debbie graciously agreed to be grilled on the awards so without further ado:
First of all could you tell us a bit about yourself and how you became involved in the DGLA?Sure. I first met David Gemmell when I was an aspiring author, around 18 years ago – he was teaching a residential writing course and he was an inspiring teacher who became a much-loved and respected friend. It was a huge shock when he passed away, and myself and some of his other friends quickly decided that it would be great to have an Award to commemorate David and his contribution to the genre. It took some time before the project got off the ground for various organisational reasons – also we wanted Stella Gemmell’s blessing, so we wanted to wait until the time seemed right to broach the subject
A change was made to the voting system early on, can you tell us what the thinking was behind the change and do you feel it was the right decision?Initially we were just following the model set by other literary Awards, and most of

them have a panel of Judges. However, we felt uneasy about this, as the temptation for any Judging Panel is to analyse and examine the ‘worthiness’ of the books in literary terms. We wanted the winner to be the book people simply loved the most and enjoyed reading the most.
We who work in the Fantasy genre producing commercial (Heroic or Epic) Fantasy, were kind of resigned to the fact that however many people loved our books, we were unlikely to ever win an Award – of course, as people have been quick to point out, there is the prestigious ‘World Fantasy Award’ already in existence, but that Award is also decided by a judging panel; in fact I believe the Shortlist is also selected by the panel in the first instance...
David himself only won one Award in his lifetime – the ‘Prix Tour Eiffel’ in 2002 for ‘Legend.’
What were the highlights of the first year of the awards?Well, there were so many! Firstly, watching the votes begin to come in and realising that readers and fans of the genre thought we were doing something worthwhile. Also, realising just how international the vote was – 73 different countries! It showed that anywhere English language fiction is being read in the world, Fantasy is being read.
Then the Awards evening itself of course – all a bit of a blur now! So brilliant to see everyone turned out in their finery, and the atmosphere in the Magic Circle was just electric. As I was so busy in the immediate run-up to the theatre portion of the evening, I didn’t actually see Raven Armoury’s magnificent trophy until the point it was presented… amazing! I should point out that Raven Armoury is generously donating the wonderful laser-etched ‘Snaga’ every year.
Will there be any changes to the format next year?Probably not, we are hoping to build on what we’ve achieved so far. We have a meeting scheduled for September where we will be discussing minor issues that have arisen this year and also the possibility of adding a couple of new catagories – I must stress, possibility… at this stage – we won’t do it unless we feel we can keep up the quality of what we’ve done so far.
Interest in the award has kicked off some ongoing discussion online about fantasy. There are fantasy fans coming out of the closet in it's defense and other people asking why it needs defending since it's validity should go without saying. Could we persuade you to weigh in on the role of fantasy†fiction within literature and the various attitudes towards it?
Ah. How much bandwidth do you have? ;-)
Of course Fantasy’s validity should go without saying – but you know, it really doesn’t. To be honest it baffles me why Fantasy is dismissed or even reviled in so-called literati quarters – it does mean that to become a Fantasy author, you really do have to love the genre (or develop a really thick skin!) I’ve been told I’m not a “proper writer” to my face… And in fact, we work harder than any other genre at our craft – nothing can be taken for granted with Fantasy, we have to build worlds, establish religions, political systems, design costumes, weapons, the lot, before we have set out the canvas to tell our story.
Chick-lit? boy-meets-girl, boy-loses-girl, girl has vague existential crisis and goes shopping… lol! That’s a flippin’ sub-plot!
More seriously, I don’t understand why people cannot always see the jewels at the core of our genre – at best, we are creating a modern mythology, using an unfamiliar, created setting to look back at our own world. Heck, even at worst, we entertain, divert and amuse people, sometimes at difficult times in their lives. Where is the problem with that?
I appreciate that Fantasy fiction does not appeal to everyone, I would just urge readers to try a few of the genre classics before dismissing the genre as an irrelevance. If pressed right now for 3 such ‘must-read’ classics… hmmm… ‘Tigana’ by Guy Gavriel Kay, ‘Legend’ by David Gemmell and ‘Small Gods’ by Terry Pratchett.
Stepping back from your involvement in the awards, as an author yourself, what role do you think awards play in literature of any kind and is that affected by whether they are judged by a panel or voted by the public?As an author, I would say being Nominated for an Award is a lovely, life-affirming thing. Writing is a solitary pursuit and writers have notoriously fragile egos (!) just being told you’ve been nominated means that you’re doing something right; you have honed your craft into something worthwhile and people like it. So when people say they were “thrilled just to be nominated,” I am inclined to believe them. I would be! (But as Founder of the DGLA, sadly will never be nominated for the one Award it might be possible for me to win!)
On a wider scale, I’d say Awards are all about raising awareness, whatever mechanism they use. Obviously we favour the publicly voted system as IMO, it gives people a greater sense of inclusion – but any literary Award is ultimately a success if it get

s people talking about books and trying new writers. An Award can justifiably claim to be enriching the cultural landscape if it achieves these goals. It’s easy to get enmeshed in the semantics of voting systems, judges, or whether the ‘right’ book won – but ultimately it’s all about getting people reading and enjoying literature.
Ok moving away from DGLA completely while I have you here.... Can you tell us a little bit about your books (in both identities) to whet our appetites?Ah well, at the moment, I am ‘writer without portfolio’ so there’s not much to tell. I am working on an exciting new project, but it is not a commissioned work yet. Previously, I published as ‘Miller Lau’ – ‘The Last Clansman’ series with Simon & Schuster and ‘Swarmthief’s Dance’ with Tor UK – however, sadly the ‘Swarmthief’ series was cancelled by Tor – something which I feel just terrible about for my reader’s sakes, but over which I had no control. I hope to get all my Rights back for the series very shortly, so it will hopefully be re-issued in the future.
And just for fun, where is your favourite place to read?In bed, definitely! I rarely fall asleep whilst reading and have a stack of ‘To Be Reads’ on my bedside cabinet threatening to topple off and concuss my dogs, which sleep near the bed!
Thanks again for joining us, it's been a huge pleasure to have you at Un:Bound.You’re welcome – thanks for having me J
So there we have it. Head over to
Wonderlands to become part of the awesome fantasy community full of authors, artists and fans, or to the
DGLA site to keep up with all the developments for next years awards.